AboutKira Nam Greene’s work explores female sexuality, desire and control through figure and food still-life paintings, surrounded by complex patterns. Imbuing the feminist legacies of Pattern and Decoration Movement with transnational, multicultural motifs, Greene creates colorful paintings that are unique combinations of realism and abstraction, employing diverse media such as oil, acrylic, gouache, watercolor and colored pencil. Combining Pop Art tropes and transnationalism, she also examines the politics of food through the depiction of brand name food products, or junk food. Recently, Greene started a figurative painting series spurred by the 2016 Presidential Election, Women’s March, #metoo movement and ensuing crisis of conscience, this new body of work aspires to present the power of collective action by women.
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Category Archives: Art review
ENERGY THAT IS ALL AROUND, which originated from San Francisco and was on view at the NYU Grey Gallery in New York, provides a rare opportunity to view early works by five Mission School artists—Chris Johanson, Margaret Kilgallen, Alicia McCarthy, … Continue reading
Another memorable place that I visited during my Christmas holidays is Crystal Bridges Museum of American Art in Bentonville, Arkansas, a diaphanous shrine to American fine art. The museum, founded by Alice Walton, the daughter of Walmart founder Sam Walton, opened on 11 November 2011 in an area that lacks … Continue reading
This winter New York museums seem to have many interesting retrospectives of contemporary artists, and two of the best are Mike Kelley at MoMA PS1 and Isa Genzken: Retrospective at MoMA. The recent suicide of Mike Kelley (1954 -2012) was … Continue reading
The New Museum is showing LA artist Chris Burden‘s first extensive New York survey and his first major exhibition in the United States in over twenty-five years. Occupying all five floors of the Museum, “Extreme Measures” is not quite a … Continue reading
This is my final post about the galleries in Paris, which focuses on abstract paintings and installations, which stood out for diverse and interesting use of materials (particularly Eduardo Terraza’ show at Almine Rech Gallery, Photos 7-8). I am always … Continue reading